New Website Coming

I think it is about time that I updated my website! I wanted to keep you all updated that I will have a new website by the end of the summer. I can’t wait to share it with you!

Alix

Essay by Alix Raspé

Allow me to introduce Luna, my oldest and best friend. Luna’s not your typical companion; she’s not a beloved stuffed animal or a neighborhood pal. She is a Style 85, Lyon and Healy Concert Grand harp. Now, how did a toddler become attached to an eighty pound, six foot high, widely unpopular musical instrument?  My parents definitely weren’t musical. The only performing art they introduced me to was “Big Bird Meets the Orchestra.” Yet, by the age of five, I was obsessed with the harp.

It all began while watching Duchess in Walt Disney’s “The Aristocats.” Though the Scat Cats were entertaining, I was completely mesmerized by Duchess. At that moment, I didn’t want to “Be a Cat”; I wanted to “Be a Harpist”. This dream was a self-proclaimed commitment. Nothing would change my mind; nothing would stop me… except maybe my parents.

Not only was the harp an expensive investment for a five year old; it was three times my size. Mom and Dad tried to sell me on piano lessons, but I remained resolute. As a compromise we agreed on piano lessons for three years and harp lessons thereafter.

My obligatory interest in piano lasted exactly two minutes. Sitting at our baby grand piano, my eyes skipped over the keys and immediately focused on the inner strings. I had to pluck those strings. I dragged the piano bench to the side, climbed up, and started picking at all 230 wires.  When Mom arrived home from work, she found me headfirst inside the piano. Afraid that the lid might crash on my head or smash my fingers, Mom insisted that “piano string plucking” become a supervised activity. She assumed that this provision would suppress my need for a harp. Little did she know.

A year later I made an even greater discovery. While rehearsing on my grandparent’s upright piano, I noticed that I couldn’t visibly see strings. But there had to be strings. My grandmother had no rule against “piano string plucking,” so I proceeded to pop the top, pull out the soundboard, and plunge my fingers through the soundboard’s crevices. At that moment my grandmother walked into the room and witnessed a scene right out of “A Day at the Races.” Like Harpo Marx, I had pulled apart a piano and proceeded to play the wires. Though the soundboard didn’t fit back into the piano, my miffed grandmother joined the battle for harp lessons.

Finally three excruciating years of piano lessons passed. I earned the nickname, “The Terminator,” thanks to two destroyed pianos and countless broken wires. My Mom kept her promise and she enlisted former jazz harpist, Mrs. Harris, a spunky ninety-year old lady with severe arthritis. As I watched her play throughout her pain, my respect and devotion to the harp intensified. She was my inspiration for attending Juilliard Pre-College, Interlochen Arts Camp and Bowdoin International Music Festival. Stated simply, Mrs. Harris was my muse, Dutchess my hero. But Luna will always be my best friend.